Following the BugShot Macro Photography Workshops at Sapelo Island, Georgia, and last fall in Belize, I have two important new ways of thinking about photography: 1) try to capture an image that is not like others you’ve seen before, and 2) imagine what shot you want to capture and then work towards that goal. Here are three examples of photos I took over the weekend in Georgia where I first was taking an OK, but not overly exciting or interesting shot, but then I imagined and captured something more compelling.
1) Rosy maple moth (Dryocampa rubicunda, Saturniidae). I first thought it might look neat sitting on top of leaf litter, a scene very much inspired by a photo by Piotr Naskrecki. I set up a little scene in a white box with a floor of leaf litter.
I think this is an alright shot, but not unique or exciting. Also, the weird bright colors of this moth don’t really blend in all that well with the leaf litter. Using the same setup I tried a different angle which I think is much more interesting.
2) I believe this is a slant-faced grasshopper (Gomphocerinae), and is perhaps my favorite animal of the weekend.
This shot, again in a white box, is kinda neat. But with an animal so unique and unusual just about any well-lit shot is kinda neat. But when I looked closely I noticed an opportunity for something more interesting. The long face and bulging eyes just begged for a portrait. With lots of patience I managed one of my favorite macro shots yet.
3) Twin-spot skipper (Oligoria maculata), a butterfly that lives in coastal swamps. This is an OK, but also very normal, shot of a skipper.
To improve upon this, I really wanted to capture this skipper in the context of its swampy environment. In this shot I used a fisheye lens stopped down to get a large depth of field and an off camera fill flash. I am pretty excited because this is my first successful attempt at an insect wide angle macro.
These follow-up shots were, I think, all large improvements over my first attempts largely because I came up with a unique vision, and then tried to make that shot happen. Previously, I often didn’t think of macro photography in that way, rather, I just wandered around snapping shots of whatever I happened to find. But thanks to the guidance and inspiration of John Abbott, Piotr Naskrecki, Thomas Shahan, Alex Wild, and the participants of the BugShot workshops, I have a new, and much more fruitful way, of approaching photography.
HT to Andy Warren (@AndyBugGuy) for the skipper ID.